DISTRICTS

Adalar, Avcılar, Bağcılar, Bahçelievler, Bakırköy, Beşiktaş, Bayrampaşa, Beykoz, Beyoğlu Eminönü, Eyüb, Fatih Gaziosmanpaşa, Kadıköy, Kâğıthane, Kartal, Küçükçekmece, Pendik Sarıyer, Şişli, Ümraniye, Üsküdar, Zeytinburnu Büyükçekmece, Çatalca, Silivri, Şile, Esenler Güngören, Maltepe, Sultanbeyli, Tuzla

Taksim and Beyoglu have for centuries been the centre of nightlife, and now there are many lively bars and clubs off Istiklal Cadesi, including some of the only gay venues in the city. Beyoglu is also the centre of the more bohemian arts scene.

Sultanahmet: Many places of tourist interest are concentrated in Sultanahmet, heart of the Imperial Centre of the Ottoman Empire. The most important places in this area, all of which are described in detail in the “Places of Interest” section, are Topkapi Palace, Aya Sofia, Sultan Ahmet Camii (the Blue Mosque), the Hippodrome, Kapali Carsi (Covered Market), Yerebatan Sarnici and the Museum of Islamic Art.

In addition to this wonderful selection of historical and architectural sites, Sultanahmet also has a large concentration of carpet and souvenir shops, hotels and guesthouses, cafes, bars and restaurants, and travel agents.

Kadıköy: Further south along the Bosphorus towards the Sea of Marmara, Kadıköy has developed into a lively area with up-market shopping, eating and entertainment making it popular especially with wealthy locals. Once prominent in the history of Christianity, the 5th century hosted important consul meetings here, but there are few reminders of that age. It is one of the improved districts of Istanbul over the last century, and fashionable area to promenade along the waterfront in the evenings, especially around the marinas and yacht clubs.

Bagdat Caddesi is one of the most trendy – and label-conscious – fashion shopping streets, and for more down-to-earth goods, the Gen Azim Gunduz Caddesi is the best place for clothes, and the bit pazari on Ozelellik Sokak is good for browsing through junk. In the district of Moda, is the Benadam art gallery, as well as many foreign cuisine restaurants and cafes.

Haydarpaşa: To the north of Kadikoy is Haydarpasa, and the train station built in 1908 with Prussain-style architecture which was the first stop along the Baghdad railway. Now it is the main station going to eastbound destinations both within Turkey, and internationally. There are tombs and monuments dedicated to the English and French soldiers who lost their lives during the Crimean War (1854-56), near the military hospital. The north-west wing of the 19th Century Selimiye Barracks once housed the hospital, used by Florence Nightingale to care for soldiers, and remains to honour her memory.

Polonezköy: Polonezköy, although still within the city, is 25 km. away from the centre and not easy to reach by public transport. Translated as “village of the Poles”, the village has a fascinating history: It was established in 1848 by Prince Czartorisky, leader of the Polish nationals who was granted exile in the Ottoman Empire to escape oppression in the Balkans. During his exile, he succeeded in establishing a community of Balkans, which still survives, on the plot of land sold to him by a local monastery.

Since the 1970s the village has become a popular place with local Istanbulites, who buy their pig meat there (pig being forbidden under Islamic law and therefore difficult to get elsewhere). All the Poles have since left the village, and the place is inhabited now by wealthy city people, living in the few remaining Central European style wooden houses with pretty balconies.

What attracts most visitors to Polonezkoy is its vast green expanse, which was designated Istanbul's first national park and the walks though forests with streams and wooden bridges. Because of its popularity, it gets crowded at weekends and the hotels are usually full.Kilyos: Kilyos is the nearest beach resort to the city, on the Black Sea coast on the European side of the Bosphorus. Once a Greek fishing village, it has quickly been developed as a holiday-home development, and gets very crowded in summer. Because of its ease to get there, 25km and plenty of public transport, it is good for a day trip, and is a popular weekend getaway with plenty of hotels, and a couple of campsites.

Şile: A pleasant, small holiday town, Şile lies 50km from Üsküdar on the Black Sea coast and some people even live here and commute into Istanbul. The white sandy beaches are easily accessible from the main highway, lying on the west, as well as a series of small beaches at the east end. The town itself if perched on a clifftop over looking the bay tiny island. There is an interesting French-built black-and-white striped lighthouse, and 14th century Genoese castle on the nearby island. Apart from its popular beaches, the town is also famous for its craft; Sile bezi, a white muslin fabric a little like cheesecloth, which the local women embroider and sell their products on the street, as well as all over Turkey.The town has plenty of accommodationavailable, hotels, guest houses and pansiyons, although can get very crowded at weekends and holidays as it is very popular with people from Istanbul for a getaway, especially in the summer. There are small restaurants and bars in the town.

Prince's Islands: Also known as Istanbul Islands, there are eight within one hour from the city, in the Marmara Sea. Boats ply the islands from Sirkeci, Kabatas and Bostanci, with more services during the summer. These islands, on which monasteries were established during the Byzantine period, was a popular summer retreat for palace officials. It is still a popular escape from the city, with wealthier owning summer houses.

Buyukada The largest and most popular is Buyukada (the Great Island). Large wooden mansions still remain from the 19th century when wealthy Greek and Armernian bankers built them as holiday villas. The island has always been a place predominantly inhabited by minorities, hence Islam has never had a strong presence here.Buyukada has long had a history ofpeople coming here in exile or retreat; its most famous guest being Leon Trotsky, who stayed for four years writing ‘The History of the Russian Revolution'. The monastery of St George also played host to the granddaughter of Empress Irene, and the royal princess Zoe, in 1012.

The island consists of two hills, both surmounted by monasteries, with a valley between. Motor vehicles are banned, so getting around the island can be done by graceful horse and carriage, leaving from the main square off Isa Celebi Sokak. Bicycles can also be hired.

The southern hill, Yule Tepe, is the quieter of the two and also home of St George's Monastery. It consists of a series of chapels on three levels, the site of which is a building dating back to the 12th century. In Byzantine times it was used as an asylum, with iron rings on the church floors used to restrain patients. On the northern hill is the monastery Isa Tepe, a 19th century house.

The entire island is lively and colourful, with many restaurants, hotels, tea houses and shops. There are huge well-kept houses,trim gardens, and pine groves, as well as plenty of beach and picnic areas.

Burgazada Smaller and less of a tourist infrastructure is Burgazada. The famous Turkish novelist, Sait Faik Abasıyanık lived here, and his house has been turned into a museum dedicated to his work, and retains a remarkable tranquil and hallowed atmosphere.

Heybeliada ‘Island of the Saddlebag', because of its shape, is loved for its natural beauty and beaches. It also has a highly prestigious and fashionable watersports club in the northwest of the island. One of its best-known landmarks is the Greek Orthodox School of Theology, with an important collection of Byzantine manuscripts. The school sits loftily on the northern hill, but permission is needed to enter, from the Greek Orthodox Patriarchate in Fener. The Deniz Harp Okulu, the Naval High School, is on the east side of the waterfront near the jetty, which was originally the Naval War Academy set up in 1852, then a high school since 1985. Walking and cycling are popular here, plus isolated beaches as well as the public Yoruk Beach, set in a magnificent bay. There are plenty of good local restaurants and tea houses, especially along Ayyıldız Caddesi, and the atmosphere is one of a close community.

Environment: Wide beaches of Kilyos at European side of Black Sea at 25th km. outside Istanbul, are attracting Istanbul residents during summer months. Belgrade Forest, inside from Black Sea, at European Side is the widest forest around Istanbul. Istanbul residents, at week ends, come here for family picnic with brazier at its shadows. 7 old water tank and some natural resources in the region compose a different atmosphere. Moğlova Aqueduct, which is constructed by Mimar Sinan during 16th century among Ottoman aqueducts, is the greatest one. 800 m. long Sultan Suleyman Aqueduct, which is passing over Golf Club, and also a piece of art of Mimar Sinan is one of the longest aqueducts within Turkey.

Polonezköy, which is 25 km. away from Istanbul, is founded at Asia coast during 19th century by Polish immigrants. Polonezköy, for walking in village atmosphere, travels by horse, and tasting traditional Polish meals served by relatives of initial settlers, is the resort point of Istanbul residents. Beaches, restaurants and hotels of Şile at Black Sea coast and 70 km. away from Üsküdar, are turning this place into one of the most cute holiday places of Istanbul. Region which is popular in connection with tourism, is the place where famous Şile cloth is produced.

Bayramoğlu - Darıca Bird Paradise and Botanic Park is a unique resort place 38 km. away from Istanbul. This gargantuan park with its trekking roads, restaurants is full of bird species and plants, coming from various parts of the world.

Sweet Eskihisar fisherman borough, to whose marina can be anchored by yachtsmen after daily voyages in Marmara Sea is at south east of Istanbul. Turkey's 19th century famous painter, Osman Hamdi Bey's house in borough is turned into a museum. Hannibal's tomb between Eskihisar and Gebze is one of the sites around a Byzantium castle.

There are lots of Istanbul residents' summer houses in popular holiday place 65 km. away from Istanbul, Silivri. This is a huge holiday place with magnificent restaurants, sports and health centers. Conference center is also attracting businessmen, who are escaping rapid tempo of urban life for "cultural tourism" and business - holiday mixed activities. Scheduled sea bus service is connecting Istanbul to Silivri.

Islands within Marmara Sea, which is adorned with nine islands, was the banishing place of the Byzantium princes. Today they are now wealthy Istanbul residents' escaping places for cool winds during summer months and 19th century smart houses. Biggest one of the islands is Büyükada. You can have a marvelous phaeton travel between pine trees or have a swim within one of the numerous bays around islands!

Other popular islands are Kınalı, Sedef, Burgaz and Heybeliada. Regular ferry voyages are connecting islands to both Europe and Asia coasts. There is a rapid sea bus service from Kabataş during summers.

Emperor Iustanianus (527 – 565) wanted to construct something even bigger than the original two and appointed architects Isidoros from Miletos, and Anthemios from Tralles to build the Aya Sophia which still stands. Columns, heads, marble and coloured stones were imported to Istanbul from ancient cities in Anatolia for the purpose.

The construction began on 23 December 532, and was completed exactly five years later. The main, central section measured 100m x 70m, covered with a 55m high dome which was a mammoth 30m in diameter – appearing to be a great feat of design. The mosaics are of great importance, and the oldest ones are dominated by geometric and plant motifs decorated with gold.

The worst desecration of the church was in 1204, ransacked by Catholic soldiers during the Fourth Crusade. In 1453, after a failure of the Byzantine Church to fend off the Turks, Mehmet the Conqueror captured the city, rode into Aya Sofia and immediately turned it into a mosque. It was repaired several times, and Islamic ornamentation added, for example an extract of the Koran by calligrapher Izzet Efendi inscribed on the dome. The other reminders of its previous status as a mosque include huge wooden plaques bearing the names of Allah, the Prophet Mohammed and the first four caliphs.

The marble and mosaics remain the most interesting aspects today. The columns supporting the gallery are made from antique marble, and in the western gallery is the green marble which marks the position of the throne of the Empress. The impressive figurative mosaics include Virgin and Child flanked by two emperors, dating back to the late 10th century, and one depicting Christ, the Virgin, and St John the Baptists. Even though there is partial damage, the haunting images on their faces remain as strong as ever.

The Directorate of Istanbul Archeology Museums that is dependent on the General Directorate of Monuments and Museums of the Ministry of Culture of the Republic of Turkey is on the Osman Hamdi Bey Ascent that opens to the Topkapı Palace Museum from the right of the Gülhane Park Entry which is in the Sultanahmet district.

Istanbul Archeology Museums consist of three museums. Those are Archeology Museum, Old Eastern Works Museum and Enameled Kiosk Museum.

Istanbul Archeology Museums, which were established as Müze-i Humayun (Empire Museum) by the famous artist and museum director Osman Hamdi Bey at the end of the 19 th century, were opened to public on June 13, 1891. Besides its importance as the “first Turkish museum”, it has an importance and specialty being one of the museum buildings that are constructed as a Museum in the World. Today, it still protects its outstanding place in the World's biggest museums with its works more than a million belonging to various cultures.

In the museum collections, there are rich and very important works of art belonging to various civilizations from the regions from Balkans to Africa, from Anatolia and Mesopotamia to Arab Peninsula and Afghanistan that were in the borders of the Ottoman Empire.

ARCHEOLOGY MUSEUM

The Archeology Museum consists of two separate buildings.

I) MAIN BUILDING (OLD BUILDING)

Its construction was started in 1881 by Osman Hamdi Bey and with the additions in 1902 and 1908 it gained its latest form. Its architect is Alexander Vallaury. The outer face of the building was made by inspiring from the İskender Tomb and Crying Women tombs. It is a beautiful example of neoclassical buildings in Istanbul.

On the upper floor of the two-flat building there are small stone works, pots and pans, small terracotta statues, the Treasure Department and approximately 800.000 Ottoman coins, seals, decorations, medals and Non-Muslim and Muslim Coin Cabinets, in which coin moulds were kept, and a Library with approximately 70.000 books.

On the bottom floor saloons of the building, famous tombs are displayed such as İskender Tomb, Crying Women Tomb, Satrap Tomb, Lykia Tomb, Tabnit Tomb that are in the Sayda king graveyard.

On the bottom floor, besides the display of tombs, there is Old Age Statuary display in which statues and relieves from important antic cities and regions take place. In this display, the development of the art of statuary from Archaic Period to the Byzantium Period is displayed in chronological order with outstanding examples.

II) ADDITIONAL BUILDING (NEW BUILDING)

The additional building attached to the southeast of the main building is of 6 stories. There are depots in the two stories under the ground floor.

The four stories of the building are arranged as exhibition saloons. There is “Istanbul for Ages” on the first floor of the building, “Anatolia and Troia for Ages” on the second floor and “Surrounding Cultures of Anatolia: Cyprus, Syria-Palestine” on the top floor. There is Infant Museum and architectural works display on the first floor of the additional building. The Thrakia-Bithynia and Byzantium display saloon, which was opened in August 1998, can be visited on the floor under the first floor with the name of “Surrounding Cultures of Istanbul”.

The museum has received the European Council Museum Award in 1991, which is its 100. establishment anniversary, with the new arrangement made in the lower floor saloons and the Additional Building display.

OLD EASTERN WORKS MUSEUM

The building, which was made by Osman Hamdi bey in 1883 as Sanayi-i Nefise (Fine Arts School), was organized as a museum with the works made between 1917-1919 and 1932-1935. The building, which was closed to visit in 1963, was opened to visit again in 1974 with a new display by changing the inner parts.

On the upper floor of the two-flat building, Anatolian, Mesopotamian, Egyptian and Arabic works of art are displayed. Statue of Naramsin, the king of Akad, the Kadeş Agreement and Zincirli statue are the unique works of art in the museum.

Moreover, in this museum there is a “Tablet Archive” in which 75.000 documents with cuneiform writings are kept.

ENAMELED KIOSK MUSEUM

The kiosk that has been made by Fatih Sultan Mehmet in 1472 is one of the oldest examples of Ottoman civil architecture in Istanbul. It has been used as Müze-i Hümayun (Empire Museum) between 1875-1891. It was opened to public in 1953 with the name of Fatih Museum where Turkish and Islamic works of art were displayed and it was transferred to Istanbul Archeology Museums due to its site.

The entrance façade of the kiosk is single-flat and the back façade is of two-stories. There is a marble porch of 14 columns in the entrance. The entrance exedra is decorated with mosaic enamels. Various chinaware and ceramics from the Seljuk and Ottoman period are displayed in the Kiosk that forms from 6 rooms and a middle saloon. There are approximately 2000 works of art in the museum and its depots.

Topkapı Palace Museum

It is located on the promontory of the historical peninsula in İstanbul which overlooks both the Marmara Sea and the Bosphorus. The walls enclosing the palace grounds, the main gate on the land side and the first buildings were constructed during the time of Fatih Sultan Mehmet (the Conqueror) (1451 - 81). The palace has taken its present layout with the addition of new structures in the later centuries. Topkapı Palace was the official residence of the Ottoman Sultans, starting with Fatih Sultan Mehmet until 1856, when Abdülmecid moved to the Dolmabahçe palace, functioned as the administrative center of the state. The Enderun section also gained importance as a school.

The main exterior gate of the Topkapı Palace is the Imperial Gate (Bab-ı Hümayun) which opens up to the Ayasofya Square. This gate leads to a garden known as the First Court. This court has the Aya Irini Church which was once used as an ammunition depot and behind the Church there is the mint. In the past various pavillions allocated to different services of the palace were located in the First Court. In later years these have been replaced with public buildings and schools. Some of these are still existing. At the end of the 19th century Archeology Museum and School of Fine Arts (now Oriental Works Museum) were built in the large garden which is to the northwest of the First Court. The oldest structure in this section is the Çinili Köşk built by Fatih, which is now used as the Museum of Turkish Tiles and Ceramics. On the walls of this outer garden facing Bab-ı ali (the Imperial Gate), there is Alay Köşkü (procession Pavillion) where the Sultans used to watch the marching ceremonies. A section of the outer garden was planned by the municipality at the beginning of the 20th century and opened to the public. Known today as the Gülhane Park, the enterance has one of the largerst gates of the palace. After the First Court, there is the Second Court which contains the palace buildings. It is entered through a monumental gate called Bab'us-Selam or the Middle Gate. The buildings in this court form the outer section of the palace which is called Birun. On the right there are the instantly noticed palace kitchens with their domes and chimneys and the dormitories of those who worked there. The most important of the buildings on the left side of the court are the Kubbealtı and the Inner Treasury. Behind Kubbealtı rises the Justice Tower, which is one of the symbols of the Topkapı Palace. The Harem section, which comes all the way to the back of these buildings is entered from the Third Court. Third Court is entered through the gate called Bab'üs Sa'ade (Gate of the White Eunuiches). This section of the palace is called Enderun, and it is the section where the sultans live with their extended families. Hence it is specially protected. The barracks of the Akağalar, which guard Bab'üs Sa'ade are on both sides of the gate. There are two structures. The first which is immediately opposite the gate is the Throne Room or the Audience Hall. Here the sultans receive the ambassadors and high ranking state officials such as Grand Visier or the Visiers. Right behind the Throne Room there is the library built by Ahmet III (1703 - 30). On the right side of the Third Court, there is the barracks of the Enderun and the Privy Treasury which is also known as the Mehmet the Conqueror Pavilion. On the side facing the Fourth Court, there is the Larder Barracks of the Enderun, the Treasury Chamber and the Chamber of the Sacred Relics. The left side starts with the Harem. The harem which covers a large part of the Palace consists of about 60 spaces of varying sizes. The main structures which are located in front of the Harem, facing the Third Court are Akağalar Mosque, Sultan Ahmet Mosque, Barracks of the Sacred Relics Guards and Chambers of the Sacred Relics. Here, the sacred relics brought back by Sultan Yavuz Selim from Egypt in 1517 are kept. The Fourth Court is entered from a covered path going from both sides of the Treasury Room. Here the buildings are located in the first part of the court, which has two sections of different levels. On the left side of this section called Lala Garden or Lale Garden there is Mabeyn which is the beginning point of Harem's access to the garden, terrace for the ladies with removable glass enclosure, Circumcission Room, Sultan İbrahim Patio and another one of the symbols of Topkapı palace, the İftariye (or Kameriye) and Baghdat Pavilion. This pavillion was built by Murad IV in 1640 to commemorate the Baghdat Campaign. At the center of the first section of the Fourth Court, there is the Big Pool and Ravan Pavillion next to it. This pavillion was also built by Murad IV in 1629, to commemorate the Revan Campaign. The side facing the second section has Sofa Pavilion (Koca Mustafa Pasha Pavilion), Başbala Tower and Hekimbaşı (Chief Physician) Room. The Sofa Mosque and Esvap Chamber and the latest built Mecidye Pavilion are on the right hand side of the Fourth Court. Out of the pavillions built on the shore of the Marmara Sea, only Sepetciler Mansion has survived until the present.

During 18th. Century when the Topkapı palace took its final shape, it was sheltering a population of more than 10.000 in its outer (Birun) and inner (Enderun) and Harem sections. It shows no archirectural unity as new parts were added in every period according to the needs. However, this enables us to follow the stages Ottoman Architecture went through from the 15th to the middle of the 19th century at the Topkapı Palace. The buildings of the 15th - 17th centuries are simpler and those of the 18th - 19th centuries, particularly in terms of exterior and interior ornamentation are more complex.

Topkapı Palace was converted to a museum in 1924. Parts of the Palace such as the Harem, Baghdat Pavilion, Revan Pavilion, Sofa Pavilion, and the Audiance Chamber distinguish themselves with their architectural assets,while in other sections artifacts are displayed which reflect the palace life. The museum also has collections from various donations and a library.

Telephone and Fax Numbers of Topkapı Palace Museum

Tel : (0212) 522 44 22 / 512 04 80-5 lines
Fax : (0212) 528 59 91

Fethiye Museum (Pammakaristos)

It is in Fatih - Çarşamba quarter of İstanbul. It is Pammakaristos monastery church constructed in Byzantine Period. A grave chapel has been added with the end of the Latin invasion in 13th century.

After the conquest, it remained under the control of Christians and used as a women's monastery, in 1455 patriarchate has been moved to this building and the building has been used as patriarchate until 1586.

This church has been converted into a mosque by Murat III (1574 - 1595) and the mosque has been named as Fethiye.

The northern church is still being used as a mosque. The walls of the additional church are ornamented with the beautiful mosaics of 14th century. After being repaired between the years 1938 - 1940, it has been converted into a unit of Ayasofya Museum.

Museum of Classical Ottoman (Divan) Literature (Galata Mevlevi Lodge)

The Galata Mevlevi Lodge (mevlevihane) or as it is also known the Kulekapı Mevlevi Lodge which is now serving as a museum, is one of the institutions which reflect the culture of the era in the best possible way. The Mevlevi Lodges which for centuries combined scholarship with music, had a great influence on the Turkish culture. A great number of those people who came together in a Mevlevi Lodge environment were educated in various areas of fine arts and their names were remembered for a long time as far as science and scholarship was concerned. The Mevlevi Lodge which is located at the top of the steep street going down to Yüksekkaldırım is the oldest Mevlevi Lodge of İstanbul. It was built in 1491, on the hunting grounds of İskender Pasha who was a governor - general during the times of Sultan Bayezid. Its first master was Mehmet Mehmed Sema-i Çelebi. The building was struck by fire during the reign of Sultan Mustafa III. (1766) but was replaced by the existing Mevlevi Lodge by the same Sultan. In later years, the building underwent repairs during the reigns of Sultans Selim III, Mahmud II and Abdüllmecid. The institution which carried out its activities until 1925 was once more restored between the years 1967 - 1972. The Mevlevi Lodge which was built as a complex contained rooms and spaces for pray chanting, dervish cells, the quarters of the master (şeyh), special prayer (namaz) area for the Sultan, the section for the female members, library, fountain for the public, clock room, kitchen, mausoleums and an enclosed graveyard.

Semahane (Ritual Prayer Hall)
On the enterence door of this wood structured section there is the restoration statement of Sultan Abdülmecid dated 1853. The building has an octagonal plan and a good sample of the baroque style of the 18 th century. In this section Turkish musical instruments and works related to the Mevlevi culture are exhibited. In the upper section which is divided with wooden grills, the poems (divan) of the Classical Ottoman poets and manuscripts belonging to Şeyh Galib, İsmail Ankaravi, Esrar and Fasih Dedes and the poetess Leyla Hanım who were trained and educated at the Mevlevi Lodge are kept in chronological order. The quarters of the master (şeyh) and the special praying area for the Sultan are upstairs.

Dervish Cells
It is constructed with stone and consists of rooms in a row.

Mausoleums

Şeyh Galib Mausoleum ; It was built by Halet Said Efendi at the beginning of the 19 th century. It has a square plan. Mehmed Ruhi, Hüseyin, İsa Selim, Şarih-, İsmail Ankaravi who first annotated the Mesnevi and Şeyh Galib Efendi are buried here.

Halet Said Efendi Mausoleum ; It was built at the same time as the other mausoleum. Has a square plan. Inside, Şeyh Kudretullah, Ataullah Efendi, Halet Said Efendi and Emine Esma Hanım who is the wife of Ubeydullah Efendi are burried.

Fountain and the Clock Room
They are located to the right of the entrance. The masonary structure was built in early 19 th century.

Library
It was built by Halet Said Efendi. It is on the top floor of the special prayer place and contains 3455 volumes.

Treasury (Graveyard)
Those who functioned as masters (şeyh) at the Mevlevi Lodge, their spouses, the "kudum" and "ney" playing musicians and poets who had "divans" (volume of collected poems) are burried here. The graves of Humbaracı Ahmed Pasha, İbrahim Müteeferrika who set up the first printing press in Turkey, the composer Vardakosta Seyyid Ahmet Ağa, Nayi Osman Dede, and the family members of Tepedelenli Ali Pasha are also here. The tomb stones are significant for their inscriptions and decorations.

Small St.Sofia Mosque - Ss. Sergius and Bacchus Church

Small St. Sofia Mosque is located between Cankurtaran and Kadırga quarters in Eminönü District, 20 km away from the southern seaside of Mediterranean ramparts. Although it is stated in some sources that there was a pavilion of Big Palace, which is known as Hormidas Palace, and a basically planned church established for Apostle Petrous and Pavlos near Small St. Sofia Mosque, there is no proof which determines their exact locations.

Small St. Sofia Mosque or Ss. Sergius and Bacchus church with its former name, which is the useable oldest structure of İstanbul today, was constructed between the years 527-536. According to the legends stated in the sources about the construction of the building (Millingen 1912), at the 1st Anastasyus Period, 1st Justiniaunus and his uncle 1st Justinos were condemned to death due to an allegation that they had a rebellion against the Emperor Anastasyus. One night before the execution, the Emperor Anastasyus sees the saints Ss. Sergius and Bacchus in his dream and the saints testifies in favour of 1st Justiniaunus and 1st Justinos. The emperor, who is affected by this dream, forgives them. When 1st Justiniaunus becomes emperor, he establishes Ss. Sergius and Bacchus church as a vow church in order to show his gratitude to these saints.

After the conquer of İstanbul, the building, which was used as a church for nearly 1000 years, was changed to a mosque by Hüseyin Agha, the Kapu Agha, in 1504 during the 2nd Bayezid period.

On the center area, there is 16 sectioned dome carried by eight big pillars on its corners. Eight of these sections are plain and eight of them are concave. Arch shaped windows have been opened on the plain sections. The upper surface of the corridors providing passage from the center area to rectangular form takes shape of a gallery at the upper floor. At the gallery floor, the upper surface of the exedras are furnished with semi - domes carried by three arches.

It is being supposed that the inner walls were ornamented with mosaics during constructing, as seen in the buildings of the same period. But today there is no proof verifying this supposition; the inner surface of the building is fully plastered. The only ornament in the building belonging to Byzantine Period is an architrave formed with bunch and leave of grapes having a slender workmanship at the gallery floor level, around the center area. It is being asserted that the building was constructed on the area of a tempest made on behalf of Bakus, the God of wine, in idolatry period and the name Bacchus came accordingly.

Building Material

The building material used for Ss. Sergius and Bacchus church is stone, brick and plaster. Except the restored parts, the walls on northern, western and eastern fronts are made by reinforcement of bricks with stones arranged in wide intervals. The bricks of 70 x 35 x 5 cm are adhered together with plaster of 4 - 5 cm. On the southern front which is a 19th century structure there are irregular laid stone and bricks. Various lime types have been used for stone lines made for reinforcement of bricks. In the building, for the pillars, shelled limestone adhered with 4 cm plaster was used on the ground floor and brick was used on the gallery floor. Bricks were used as material for the vaults of the corridors and the gallery floor and for the central dome, and the bricks are laid in a manner to form radial pointing united at the center of the vault.

The columns between the pillars are made of red and green serpatine, the head of columns and the architrave at the gallery floor level are made of Mediterranean marble. After the building was changed to a mosque, the pulpit muezzin gallery added to the building are also made of marble.

The Changes in the Building

According to the sources, the first damage and thus the first restoration in the building had been after the Iconoclasm movements in 9th century (Müller - Weiner 1977). And after the Latin invasion, the inner ornament needed to be restored (Paolesi 1961).

In 1054, Hüseyin Agha, the Kapu Agha, changed the building to a mosque and during this changing works all inner ornaments of the building was changed and some parts specific to a mosque were added to the building. These parts were a pulpit to south - east, a muezzin gallery to north - west in the inner side and a congregation area in front of the western wall in the outer side. Many windows at various dimensions were opened with ottoman architectural characteristics; and some of the existing windows were closed.

An independent minaret was established to the south - west corner of the building. The characteristic of the first minaret is not being known. It is being stated in the sources that a new minaret with Baroque style was made in 18th century (S. Eyice 1978). The body of the Baroque style minaret was placed on an octagonal pulpit; the body climbs on the Baroque profile arches and joined to a minaret balcony with a bracelet part. The banister of the minaret balcony having baroque style ornaments was made of plain plates. The minaret having a lead coated classical spire was destroyed up to its pulpit in 1936 due to unknown reasons. The minaret, which remained ruined for a few years, was rebuilt in 1955.

Since 1600, 89 earthquakes with intensity bigger than 6 was observed in İstanbul which is located on an important seismic zone. Thus, it is certain that Small St. Irene Mosque lived more earthquakes (N. Çamlıbel 1991). It was stated that in Hüseyin Agha's foundations (the Kapu Agha), the plasters fell and the windows at north and south were broken in the earthquake of 1968 and most part of the building was damaged in the earthquake of 1763; and the restoration works of the building were given to Ahmet Agha (S. Eyice, 1978).

In 1870 - 1871, a railway was established in the region between the building and the northern sea ramparts in a manner to pass 5 km. away from the building. The railway, which is at an attitude of 1 m. from the ground level, served as single line for nearly 50 years. According to the sources, as the stones of the southern walls fell at each pass of the train, a wall with the Ottoman style was laid in 1877 (Mathews 1971). At the beginning of 20th century, the railway was made double lined by increasing 3 m from the ground level.

The building, which was used as a sheltering place during Balkan War by the people who escaped from the war, was restored twice in 1937 and 1955, in the Republic Period (S. Eyice, 1978). The front of the building, which was known to be plastered and whitewashed, was restored after 1955 and brick and stone lays were made to be visible at all front except the drum of cupola.

There are some cracks at north - east and south - east sides, especially at exedras of the building, which is today used as a mosque. These continuous cracks begin from the cupola, pass the gallery vaults and go up to the outer walls of the building.
The necessary activities should be carried out in order to find the occurring reason of these cracks and to repair them.

St. Irene (Aya İrini)

St. Irene, which is located on 1st courtyard of Topkapı Palace, was constructed by the Emperor Lustiniaus in VI. century. It consists of atrium, narthex, naos with three nephs and apse. It is a typical Byzantine structure with its material and architecture.

There have not been many changes in the building, as the church was not turned to a mosque after conquest of İstanbul in 1453. It was used as a booty and weapon warehouse for a long time. Son-in-law Ahmed Fethi Pasha, one of Field Marshal of Tophane, exhibited his works here in 1846. St. Irene was renamed as Müze-i Hümayun (Empire Museum) in 1869. The works exhibited here was moved to Çinili Köşk (Pavilion with painted tiles) in 1875, as the exhibition areas were insufficient. St. Irene was used as a Military Museum since 1908. The building, which was empty for a while, was restored and made a unit of Directorate of St. Sofia Museum.

Turkish and Islamic Arts Museum

Turkish and Islamic Works Museum is the first Turkish museum covering the Turkish and Islamic art works wholly. The establishment works that have been started at the end of 19th century have been completed in 1913 and the museum has been opened for visit in the soup kitchen building located in Süleymaniye Mosque complex, which is one of the most important works of Mimar Sinan, with the name of "Evkaf - ı İslamiyet Müzesi" (Islamic Foundations Museum). After the announcement of the republic, it has taken the name "Turkish and Islamic Works Museum".

The museum has been moved to İbrahim Pasha Palace from the soup kitchen building in 1983. Ibrahim Pasha Palace, which is one of the most important samples of 16th Century Ottoman civil architecture samples is on the stages of the historical hippodrome, the history of which goes back to the Roman Period. This building, the precise construction reason and date are not known, has been presented to İbrahim Pasha by Kanuni Sultan Süleyman in 1520, who would be his grand vizier for 13 years.

İbrahim Pasha Palace, which is claimed to be bigger and more magnificent than Topkapı Palace by the history has been the stage of many weddings, feasts and celebrations as well as rebellions and turmoil and called with the name of İbrahim Pasha after the death of this person in 1536. It has been used by other grand viziers, and had functions such as barracks, embassy palace, register office, Janissary band house, sewing workshop and prison.

The palace located around four big internal courtyards has been made of stone in contrast with many Ottoman civilian buildings, most of which are wooden, therefore it could reach today and has been repaired between the years 1966 - 1983 and has been born again as the new building of Turkish and Islamic Works Museum. The section, which is used as a museum today is the big ceremony hall of the palace and the 2nd courtyard surrounding it, which have been the subject of all Ottoman miniatures of the palace and the gravures and tables of Western artists.

Turkish and Islamic Works Museum has been awarded with the Special Jury Award of Museum of the Year Competition of the European Council in 1984 and with the prize given by European Council - Unesco for its studies for making the children love the culture inheritance.

Turkish and Islamic Works Museum, that is among the important museums of the world in its class has works from almost all periods and all types of Islamic art with its collection exceeding forty thousand works.

Carpet Section

The carpet section forming the richest collection of carpet art in the world had a separate importance and caused the museum's being famous as a "Carpet Museum" for long years. The museum has the richest carpet collection of not only Turkey, but also the world. Besides rare Seljuk carpets, prayer rugs and animal figured carpets belonging to the 15th centuries and the carpets produced in Anatolia between the 15th - 17th centuries and called as "Holbein Carpet" in the West inspired by the geometrically figured or kufi writing are the most valuable parts of this section.

Turkish and Islamic Works Museum carpet collection that became richer with Iranian and Caucasian carpets and famous Uşak and palace carpet samples is a reference, which the ones carrying out a serious research on the carpet art in the world must apply to.

Hand Writings and Calligraphy Section

Koran - ı Kerims constituting a big part of the writing collection of Turkish and Islamic Works Museum from 7th century to the 20th century come from a large geographical region where Islam has spread over.

It is one of the rare collections, where Emevi, Abbasi, Egypt and Syria Tulunoğulları, Fatımi, Eyyubi, Memluk, Moğol, Türkmen, Seljuk, Timuri, Safavi, Kaçar and Anatolian Principalities and Ottoman calligraphy creations can be observed all together.

Among the hand writings, except Korans, there are books (some of them with pictures) written about various subjects and these draw attention both in terms of their writing styles and their coatings.

Imperial edicts, warrants bearing the signatures of Ottoman sultans, the sultan's signatures each of which is a work of art, Turkish and Iranian miniature writings make Turkish and Islamic Works Museum one of the most important museums of the world.

Section of Wooden Works

The most important parts of this collection are the samples of Anatolian Wood art of 9th - 10th century.

Besides the unique parts that remained from the Anatolian Seljuks and principalities, mother - of - pearl, ivory, tortoiseshell ornamented wooden works of the Ottoman Period, unique samples of inlaying art, Koran part cases, bookrests, drawers are the interesting parts of this rich collection.

Stone Art Section

Stone works belonging to Emevi, Abbasi, Memluk, Seljuk, Ottoman periods, some of which have motifs and some of which have figures, but all of which have writings have been gathered in Turkish and Islamic Works Museum. Unique and elite samples of stone art of Seljuk Period, grave stones on which hunting scenes, fairy creatures such as sphinx, griphon, dragon, early - period stone works with kufi writings, inscriptions written in different methods that are projections of Ottoman calligraphy art are important both in quality and in quantity.

Section of Ceramic and Glass

In this collection consisting mostly of the ceramic works found in the excavations made between 1908 - 14, the ones from Samarra, Rakka, Tel Halep, Keşan are in the first ranks.

It is possible to see the stages of Early - Islamic Period ceramic art in the collection of Turkish and Islamic Works Museum. The mosaic, mihrab and wall encaustic tile samples belonging to the Anatolian Principalities and Seljuk Periods and the plaster ornaments of Konya Kılıçaslan Palace constitute another important part of the collection. Ottoman encaustic tile and ceramic art samples end with near - period Kütahya and Çanakkale ceramics.

The glass collection starts with the 9th century Islamic glass art samples and includes 15th century Memluk candles, Ottoman period glass art samples.

Metal Art Section

Turkish and Islamic Works Museum Metal Art Collection starting with the unique samples belonging to the Great Seljuk Empire period and mortar, censer, long - spouted ewer, mirror and dirhems constitute an important collection with the door knockers of Cizre Ulu Mosque and 14th century candelabrums ornamented with constellation and planet symbols, which have an important place in Islamic metal art.

Among the Ottoman metal art samples starting from the 16th century and reaching the 19th century, there are silver, brass, tombac (ornamented with valuable stones) crests, candles, rose water cans, censers, washtub / ewer sets.

Ethnography Section

Ethnographic parts collected for long years have found the possibility of being exhibited with the transfer of Turkish and Islamic Works Museum to İbrahim Pasha Palace.

The youngest part of the museum is exhibited in this collection, consisting of carpet - kilim looms collected from various regions of Anatolia, wool painting techniques, public weaaving and ornamenting art samples, clothes in their regional enhancements, house goods, hand arts, hand art instruments, nomad tents exhibited in places special to them.

The Great Palace Mosaic Museum

In ancient times, the palatial hill from the Sea of Marmara to the Hippodrome. The palatial district extended from Hagia Sophia and the Hippodrome to the cost line, where the sea wall acted as a mighty boundry of great military value. Its basic layout, first determined by Emperor Constantine, soon housed a collection of state buildings with courtvards throne rooms and auidience rooms, churces and chappels gardens and fountains, libraries, assembly buildings, thermal baths and stadiums. Throughout the centuries palaces decayed due to fires, earthquakes, and other reasons. Finally, whatever remained were covered by earth.

British scientists from the University of St. Andrews in Edinburg made extensive excavations at the Arasta Bazaar in Sultan Ahmet square (1935-38) and (1951-54). Which partly opened up one of the south-western buildings, so called "Great Palace". The Great Palace had got a big courtyart with perisyle (1872 m²). It was decorated with mosaics. It was at this point that the Austrian Academy of Sciences undertook to rescue. (Supervised by Prof. Dr. Werner Jobst) study ane preserve the famous palace mosaic and to carry out additional archeological examinations (1983-1997) within the scape of a cooperation project with the Directorate General of Monuments and Museums in Turkey.

When the peristylle of The Great Palace was redone under Justinian I. (527-565). The Great Palace mosaic was the largest and the most beautiful landscape in antiqity (VI. century A.D). No where in the world of late antiquity can we find a building with a tessellated pavement of similar size and perfection of workmanship. It was probably made by an imperial workshop that surely have employed the best craftmen gathered from all corners of the Empire, guided by a master artist. It is this circumstance which makes it difficult to compare the piece with creations, and thus to date it by means of typological and stilistic methods. Composing the tessalated pavement, with its many coloured lime, terracotta and glass cubes of 5 mm. One square metre of floor space consumed about 40.000 cubes, which makes for 80.000.000 tesserae for entire area. The mosaic was brought to light only in fragmenta and sections, which together make-up about one seventy the original expance, but these suffice to convice us that it is one of the most magnificent compositions known to us from antique mosaic art.

In The Great Palace Mosaic the main field of the composition was 6 metres in width. On either side of its edge it is accompained by an exquisitely arranged border of folliage each 1.50 metres wide, sufficient to cover the entire hall depth of 9 metres with a tesselleted pavement. The frame is dominated by a highly naturalistic acantus scroll. Acantus are filled with masked heads, exotic fruit and animals. The frame, which sembolises a garden of eden. After frame when looking at the scenes we find a movement from left to right in the notheastern hall. The pictures describe open-air scenes, the life of herdsmen the labour of peasants and the prowess of huntsmen. Scenes of children playing of wilde beast and grazing animals alternate with mythological motifs animal fables and fabulous creatures from exotic countries, animals, hunting, games, bucolic scenes nature and myths are the leading themes in the succession of pictures. On surviving parts of the mosaic we still count 90 different themes populated by some 150 human and animal figures.

Adres: Büyük Saray Mozaikleri Müzesi
Torun Sok. Arasta Çarşısı Sultanahmet - İSTANBUL
Tel: 0212 518 12 05
Fax: 0212 512 54 74

Kariye (Caria) Museum

Kariye is located at Edirnekapı section of İstanbul. The dictionary meaning of Kariye (Chora) is "outside of the city", or "rural" in old Greek. The existence of a chapel outside the city walls in very old is mentioned in some sources. The first Khora Church was built on the site of this chapel by Justinianus. The building which managed to survive until the times of the Commenos with various additions and repairs, gained importance when the Imperial Palace Blakhernia near the city walls was expanded. At the end of 11 th century Maria Dukaina, the mother-in-law of Emperor Alexi I had it rebuild. The church has a kiborion shaped space whose dome is carried by four arches. During the Latin occupation of 1204 - 1261, both the monastry and the church became extremely run down. During the reign of Andronikos (1282 - 1326), one of the prominent names of the day, the writer, poet and the minister of treasury Theodore Methocite had the monastry and the church repaired towards 1313, and had an annex to the north of the building, an outer narthex to the west and a chapel (Parekklesion) to the south. These new additions were decorated with frescoes and mosaics. Parekklesion, which is a long single naved chapel going along the southern façade, is built above a basement floor. It is partially covered with a dome and the remaining sections are covered by vaults. It has a single abscissa. The outer narthex which runs along the full western facade forms the present façade. The northern wing is only an insignificant corridor. The central dome has a high drum. It is a Turkish period restoration and is made of wood. Outer façades are given plasticity and movement with round arches, half braces, niches and rows of stone and brick. The eastern façade is finished with abscissa extending to the exterior. The middle abscissa is supported with a half arched brace.

The building was used as a church after the conquest of İstanbul but was converted into a mosque in 1511 by the Visier Grand Hadım Ali Pasha, who later added a school and a alm kitchen next to it. After the conversion, the mosaics and frescoes were covered, sometimes by wooden blinds and sometimes by whitewashing over them. All the mozaics and frescoes were uncovered with the work carried out by the American Institute of Byzantine Research between 1948 - 1958.

Chora mosaics and frescoes are the most beautiful examples of the last period of Byzantine art (14 th century). They show a striking similarity. The monotonous background of the former period cannot be seen here. The concept of depth, recognition of the placticity and movement of the figures and the elongation in the figures are the characteristic of this style. Scenes from life of Jesus are given on the outer narthex while the inner narthex has scenes from the life of Madonna.On the portal of the door joining the outer to the inner narthex, there is Christ the "Pantocrator". On the left the scenes depict the birth of Jesus, population cencus being carried out under the supervision of Governor Cyrinus, the angel telling Joseph to leave taking Mary with him, the multiplication of loaves of bread, water turning to wine and on the right side scenes such as messanger kings informing about the birth of Christ, healing of the stroke victims and the massacre of children.

The most beautiful mosaic on the inside is Deisis. There is Jesus in the center with Mary on the left, below Mary, Isaac Commenus and a nun on the right of Jesus. This woman is the daughter of the Mikhael Palaiologos VIII. She was married to the Mongolian Prince Abaka Khan and following her husband's death returned to İstanbul and became a member of a religious order. In this section, under the dome there is Jesus and his ancestors are shown in the segments. On the portal of the church proper, there is Christ in the middle and on the left Theodoros Metochites who has restored the church and adorned it with the mosaics presenting a model of the church.

The life story of Mary, which is not included in the Bible is taken from subjects based on the Apostles. At the inner narthex the scenes about Mary can be followed depicting her birth, her first steps, Gabriel telling her that she shall have a child, Mary buying wool for the tebernacle and others. Mosaic above the inner portal of the entrance to the main church depicts the death of the Virgin, Madonna bearing the child Jesus and a Saint. Parekklesion is totally decorated with frescoes. The Anastasia (rebirth) scene seen on the abscissa is a masterpiece. The last judgement above it is shown here in full. It is known that the niche on the right and left sides of the Parekklesion are graves. On the dome of the Parekklesion there is Mary and the child Jesus and 12 in the segments.

Museum of Turkish Carpets

Across the street from the Ibrahim Pasa residence is the Museum of Turkish Carpets which contains exquisite antique carpets and kilims gathered from all over Turkey. Open days to visit: Everyday except Monday

Yerebatan Sarnıcı (Cistern)

Nearby Aya Sofia is the 6th century Byzantine underground Basilica cistern, with 335 massive Corinthian columns supporting the immense chamber's fine brick vaulting. This is one of several buried into the city's foundations, and the first to have been excavated and renovated. Thought to have been built in the 4th century by the emperor Constantine, then enlarged two centuries later, it was supplied with water from Belgrade Forest, amd supplied it to the Great Palace and Topkapi Palace.

It fell into disuse and was then restored in 1987 with the mud and water removed, and narrow raised pathways providing easy access for visitors. It is the largest covered cistern in the city, measuring 140 by 70 metres.

Aviation Museum

The Aviation Museum in Yesilkoy traces the development of flight in Turkey.

Closed Tuesdays.

Military Museum

Highlight of this museum is definitely the Mehter Takimi, the Ottoman military band, which performs every afternoon between 15.00 – 16.00. It also has a good collection of Ottoman military memorabilia, like the cotton and silk tents used by the sultans at war, and armour and weaponry like heavily decorated jambiyah daggers.

The band, which originated in 1289, became an institution which came to symbolise the power and independence of the Ottoman empire, and these musicians, who were janissaries, always accompanied the Sultans into battle. But quite apart from their benefit on the battlefield, they came to create new musical styles in Europe, and even influencing Mozart and Beethoven.

Opening hours: 09.00 – 17.00, closed Mondays and Tuesdays.

Maritime Museum

The collection is divided into two buildlings: The one facing the water has seagoing vessels, and the one opposite the road has exhibits relating to maritime history of the Ottoman Empire and Turkish Republic. Highlights include items from Ataturk's yacht, the huge wooden figureheads of tigers and swans, and the imperial caiques of the sultans, the largest dating back to 1648, which needed 144 oarsmen to power it.

Opening hours: 09.00 – 12.30 & 13.30 – 17.00, closed Wednesdays and Thursdays.

Atatürk Museum

Ataturk's former residence in Şisli, 2 km north of Taksim Square, now serves as the Ataturk Museum and displays his personal effects.

Closed Mondays and Tuesdays.

Naval Museum

The grand imperial caiques used by the sultans to cross the Bosphorus are among the many many other interesting exhibits of Ottoman naval history that can be seen at the Naval Museum located in the Besiktas district. Open days to visit: Everyday except Saturday and Sunday.

Museum of Fine Arts

This collection is in the east wing of Dolmabahce Palace, once the apartments of the heir to the throne. Although closed for some time following damage after the 1999 earthquake, it is best known for its late 19th century and early 20th century work, which gives an insight into the life of the late Ottoman Turks. Osman Hamdi is one of the best artists exhibited.

Opening hours: 12.30 – 16.30, closed Mondays and Tuesdays.

City Museum

Located inside the gardens of Yıldız Palace, this museum preserves and documents the history of Istanbul since the Ottoman conquest, including ornaments and paintings from the 18th and 19th centuries reflect the way of life. Also within the gardens are the Yildiz Palace Theatre, and the Yıldız Sarayı Theatre (Museum of Historical Stage Costumes), with richly decorated scenery, stage and costumes. Also exhibited are portraits of some of the stars who appeared here, including Sarah Bernhardt.

Opening hours: 09.00 – 16.30, Closed Mondays.

Rahmi Koç Industry Museum

The museum is set in an Ottoman-period building, an 18th century factory which produced anchors and their chains. It was recently converted, although has retained many of its original features, and restored by Rahmi Koc, one of Turkey's most powerful industrialists. It was essentially done so he could house his private collection of models machines and vehicles which he had collected from all over Europe, and exhibits include original penny-farthing bicycles a ship's bridge, and an engine from the Kalender steam ferry. The museum is trying to raise the Australian navy's first submarine sink of gallipoli in World War I.

Opening hours: 10.00 – 17.00, closed Mondays.

Sadberk Hanım Museum

Up the Bosphorus and shortly before Buyukdere, the collection of an Armenian civil servant fills two charming 19th century wooden villas. The larger of the two villas belonged to the Armenian, who became a politician and died in the great Beyoglu fire of 1922. His collection was put together in memory of Sadberk Hanim, wife of millionaire businessman Vehbi Koc.

A private museum which originally displayed only Turkish decorative arts, was recently expanded to include a new collection of archeological exhibits. This is the oldest section, and includes sixth-millenium BC mother goddesses. In the ethnography section, there are maternity and circumcision beds, clothing and jewellery.

Opening hours: 10.00 – 18.00, closed Wednesdays.

It was built between 1466 and 1478, a couple of years before the death of Fatih. Unlike any European Palace, its architecture is predominantly Middle Eastern in character. The initial construction was Cinili Mansion, a Glass Palace finished in 1472, and the imposing main gate facing Sultanahmet, Bab-I Humayun, and the Palace ramparts, were completed in 1478.

There were originally 750 residents of the Palace, during Fatih's period, which became drastically more congested reaching 5000 during normal days and 10,000 during festivals. Extensions had to be built, and the harem was completed in 1595 during the third Sultan Murad's era, after which the harem residents were moved in from the palace at Beyazit, with a total of 474 concubines. Special tours of the Harem are available. The Harem, literally meaning “forbidden” in Arabic, was the suite of apartments in the palace belonging to the wives, concubines and children of the head of the household.

Around the Harem were the Circumcision Room, the apartments of the Chief Black Eunuch, and apartments of the sultan – in total over 400 rooms. Other highlights in the Palace are the Spoonmaker's Diamond (the fourth largest diamond in the world), the Topkapi Dagger, (a gift from Mahmut I), a vast collection of paintings and miniatures, and the Pavilion of the Holy Mantle (including a footprint, a tooth and a hair of the Prophet Mohammed).

Opening hours: Daily 09.00 – 17.00, winter closed Tuesday.

Built in the reign of Sultan I Abdulmecit during the 19th century, this over-ornate palace lies along the European coast of the Bosphorus.			Dolmabahce Palace was constructed between 1843 and 1856, mixing different European artistic influences and built by Abdulmecit's architect, Karabet Balya. It was built over three levels, and symmetrically planned, with 285 chambers and 43 halls. It has a 600m long pier along the river, with two huge monumental gates. The palace is surrounded by well-maintained and immaculate gardens, with an immense 56-columned greeting hall, with 750 lights illuminated from 4.5 tonnes of crystal chandelier. The entrance was used for meeting and greeting Sultans and opposite the ceremonial hall was the harem. The interior decoration furniture, silk carpets and curtains all remain with little defect.

The palace has a level of luxury not present in most other palaces, with walls and ceilings decorated with gold, and European art from the period. Top quality silk and wool carpets, southeast Asian hand-made artifacts, and crystal candlesticks adorn every room. The men's hamam (public bath) is adorned with alabaster marble, and the harem also contains the Sultan's bedrooms and the women and servants' divisions. One of the highlights is the throne room which stands at an amazing 36-metres high – almost twice the height of the rest of the rooms. The east wing is home to the Museum of Fine Arts.

Opening hours: Daily 09.00 – 16.00, except Monday and Thursday.

Telephone number to book guided tours: (0212) 23 69 600.

Çırağan Palace

The most picturesque spots along the Bosphorus and Golden Horn were reserved for the palaces and mansions for the Sultans, and other important dignitaries, most of which have now gone. The huge palace was constructed by architect Serkis Balyan in 1871, as appointed by Sultan Abdul Aziz, from the ruins of the old palace.			The interior was rebuilt, at a cost of four million gold coins, beginning with covering the ceiling with wood and the walls with marble. The rooms were decorated with rare carpets, furniture, gold and silver. The sides of the building were decorated with coloured marble, and monumental gates connected it to Yildiz Palace, via a bridge, which is how the harem women went between the two, in total privacy. It briefly housed the Turkish Parliament from 1908 but was destroyed by a fire two years later, and was only rebuilt in 1991. Now, it is Istanbul's premier luxury hotel, and has retained something of its former glory.

Beylerbeyi Palace

Beylerbeyi, in which the Asian Tower of Bosphorus Bridge was constructed, is a beautiful district allotted for palaces since the Byzantium era. Sultan Abdulaziz built the Palace, to replace the older, wooden palace, between 1861 and 1865.			Eastern and Turkish motifs are used with Western design elements, on the sides and for internal decoration, and the atmosphere is something resembling that of Dolmabahce Palace. The building comprises of three floors, and contains 26 rooms and six halls, which includes the harem and men's greeting rooms. The interior is decorated with Bohemian chandeliers, valuable tiles and ceramic vases. Silver-edged furniture and luxurious carpets add something to the beauty, and even till today the authentic furniture, carpets, curtains and other property have been well preserved.

A huge pool, terraces and stables, face the back cliff. A road and tunnel, used until 1970, passed under the palace garden and were used by the most distinguished foreign dignitaries when visiting the palace.

Open daily except Monday and Thursday.

Yıldız Palace

This vast park consists of mansions, gardens and lakes, the whole area surrounded by high walls, and all set in a superb hillside location. Popular at weekends and holidays with locals, it offers one of the few green areas within the city centre, and is a great place for walking, relaxing and eating. There is a steep walk up the hill from Ciragan Caddesi up to the first pavilion, but rewards are cooling breezes and sweeping views of the Bosphorus.

It was the centre of the Ottoman Empire for 30 years, during the reign of Abdulhamid II, and the second largest palace in Istanbul. Its main structure, Yildiz Palace, was built in the old Ottoman style and the pavilions which are dotted around the park were transformed into a power base. The most important remaining building is Sale Koske where receptions were held, and is the largest and most ornate and reveals the luxury in which the sultans lived and entertained. The first section was modelled on a Swiss Chalet, the second two completed in the late 19th century.

Some of the mansions are undergoing restoration, but Sale is open for visitors, and two have terraces serving food and drinks. Further along the path is a State museum, the Belediye Sehir Muzesi, and Yildiz Sarayi Theatre.

Park: Open daily 09.00 – 17.30

Sale Kosku: Open daily 09.30 – 17.00, except Monday and Thursday.

Museum: Open daily 09.00 – 16.30, except Monday.

Yıldız Porcelain Factory

Yıldız Porcelain Factory was established under the patronage of Sultan Abdülhamid II in the grounds of Yıldız Palace in 1894. The intention was to rescue traditional Turkish porcelain from decline due to competition from the porcelain industries of Europe. Known as the Yıldız Fabrika-i Hümâyûn, its outstanding early products were commissioned for the royal palaces and köşks.

This factory made a key contribution to the synthesis between European and Turkish art. Production here has continued uninterrupted, and its high quality products have helped to preserve the art of Turkish porcelain and acquaint people all over the world with its traditional designs.

Today the Yıldız Porcelain Factory is a museum-factory which produces both items in modern designs and reproductions of its exquisite early ware, so that the public can enjoy the art of a bygone age in their homes as well as in museums.

Kücüksu Small Palace: Built by Abdulmecit I in the mid-19th century, it was used as a summer residence.
KÜÇÜKSU PAVILION

This attractive part of the Bosphorus on the Asian shore is mentioned by Byzantine historians, and in Ottoman times became one of the imperial parks known as Kandil Bahçesi (Lantern Garden). Sultan Murad IV (1623-1640) was particularly fond of Küçüksu and gave it the name Gümüş Selvi (Silver Cypress), and in several sources from the l7 th century onwards the name Bağçe-i Göksu is used.

During the reign of Mahmud I (1730- 1754) Divittar Mehmed Paşa built a two storey timber palace on the waterfront here which continued to be used by Selim III (1789-1807) and Mahmud II (1808-1839).

During the reign of Mahmud's son Abdülmecid (1839-1861) the western influence on Turkish architecture reached a peak, and the sultan had the earlier building demolished and the present stone pavilion or royal lodge constructed in the new style used for Dolmabahçe and Ihlamur.

Küçüksu Pavilion was designed by Nikoğos Balyan and completed in 1857. The pavilion has a ground area of 15x27 meters and consists of a basement and two main storeys, the basement containing a larder, kitchen and servants quarters. Both first and second floors have four corner rooms opening onto a central gallery, a plan which reflects that of the traditional Turkish house. The pavilion was designed for short stays when the sultan took country excursions or went hunting in the woodland here. Unlike other imperial buildings Küçüksu was not surrounded by high walls but by castiron railings with gates on all four sides. During the reign of Abdülmecid's younger brother Abdülaziz (1861-1876) more elaborate decoration was added to the façade. All the outbuildings which once belonged to the pavilion have since been demolished.

The ornate seaward façade and double flight of steps sweeping exuberantly around the ornamental pool and fountain are decorated with diverse western motifs. This European exterior is echoed in the interior furnishing and, decoration executed by Sechan, stage designer at Vienna Opera House.

The ceilings are richly decorated with carton-pierre moulding and painted designs. There are so many fireplaces made of Italian marble of various colours in diverse styles, that Küçüksu is like a museum of l9 th century fireplace design. The elegant parquet floors have different patterns in each of the rooms, which are furnished with European style furniturecarpets and paintings. After the establishment of the Turkish Republic, Küçüksu Pavilion was used as a state guest house for some years, but today is open to the public as a museum-palace.

The pavilion was extensively restored in 1994 and the surrounding garden and parkland, nearby fountain and quay are now being transformed into a park where the public can enjoy picnics and excursions as in previous centuries. When this project is completed, the garden of Küçüksu Pavilion will be available for private receptions upon application.

Closed Mondays and Thursdays.

Aynalıkavak Summer Pavilion

Built in the early 18th century and later restored by various sultans, this timber royal pavilion is in the Hasksoy district on the Karakoy side of the Golden Horn, incongruously placed between a naval dockyard and cemetery. The last surviving structure of a large group of buildings, the pavilion is famous for its mirrors, hence its Mirrored Poplar, which were gifts from the Venetians and installed in 1718. One of the most beautiful examples of traditional Ottoman architecture, the composition room, a private room of Ahmet III where he used to compose music, includes a central brazier and low divans - typical interior of the era.

The pavilion, most recently restored in 2000, also has exhibition of old Turkish musical instruments. The windows facing the sea are decorated with stained glass.

Opening hours: 09.00 - 16.00, closed Mondays and Thursdays.

Çinili Köşk (Tiled Pavilion)

The oldest secular building Istanbul, this was constructed as a mansion in 1472. It was a type of grandstand from which the Sultan would sit and watch wrestling or polo, and its interior is beautifully decorated with Selcuk art. It now houses the Museum of Turkish Ceramics, containing fine example of 16th century tiles from Iznik, as well as other renowned examples of art and pottery from Selcuk and Ottoman times.

Closed Mondays.

Ihlamur Köşkü

The 19th-century Ihlamur Pavilion is named after the linden trees growing in its gardens. Although now in the heart of metropolitan Istanbul, when it was originally constructed, the pavilion lay in the rolling countryside that surrounded the city.

The Merasim Pavilion This was used for official ceremonies while the Maiyet Pavilion sheltered the sultan's entourage and, on occasions, his harem on their excursions out of the palace confines.

Closed on Mondays and Thursdays.

Maslak Pavilion

Maslak Pavilions, situated on a shady green hill, were conceived by Sultan Abdulaziz as hunting lodges. These are particularly noteworthy as superb examples of the late 19th century Ottoman decorative style.

Closed Mondays and Thursdays.

Florya Atatürk Sea Pavilion

The Florya Ataturk Sea Pavilion served as a summer residence for Turkish presidents, beginning with Ataturk. Built in 1935 in a T-shaped design on land jutting out over the Sea of Marmara, it serves as a showcase for some of the finest examples of early-20th century furnishings.

Closed Mondays and Thursdays.

Filizi Mansion

This mansion belonged to Tahsin Paşa who served Abdülhamid II (1876-1909) as chief secretary at Yıldız Palace. It is situated in Göztepe on the Asian side of İstanbul, where many of the palace functionaries had summer residences. Dating from the last quarter of the l9 th century, Filizi Mansion still bears traces of the Art Nouveau style which had such a profound influence on the architecture of this period. However, many of the original features have disappeared in alterations by successive owners over the intervening years.

The three storey house has a typical Turkish house plan of rooms opening off a central sofa. It has now been restored and is a club for the Association of Turkish Parliamentarians.

Hereke Silk Fabric and Carpet Factory

Hereke Fabrika-i Hümâyûn was established at Hereke east of İstanbul in 1843. At the time it was the largest such manufactory for silk fabric and carpets in the Ottoman Empire.

Efforts to develop Turkish industry along western lines commenced in the early l9 th century, and the Hereke Silk Fabric underwent a series of changes and improvements which kept it at the forefront of technology in its field. Fabrics and carpets were woven here for Dolmabahçe and all the other imperial residences, which served as display cases for the finest of the factory's products. While Dolmabahçe Palace was under construction a weaving mill known as the Hereke Dökümhanesi was set up in the grounds to produce the items required for furnishing the new palace in situ.

Today the Hereke factory continues in operation as a museum-factory, an exceptional example of this genre of institution.

Yalova Atatürk Mansions

Yalova Spa south of the Marmara Sea has a history dating back many centuries, but in late Ottoman times the spa enjoyed a revival of popularity, and facilities were built here for those seeking cures in the hot springs. Founder of the Turkish Republic, Kemal Atatürk, often stayed here to bathe in the therapeutic springs and enjoy the beautiful setting in a lush wooded valley. Before the mansion was built at Millet Farm he used to stay in a country house at Baltacı Farm.

Dating from 1929, six years atter the establishment of the Turkish Republic, Atatürk Mansion still has its original furnishings. In this informal country setting Atatürk found the time to converse with the local people.

In addition to the main house there is the Yaverler Köşk used by his aides-de-camp and a secretariat building. Yaverler Köşk is a wooden building constructed during the reign of Abdülhamid II (1876-1909) as a country lodge. The office building was constructed at the same time as Atatürk Mansion.

This country house has been restored and is now open to the public. It is right by the spa itself, which attracts hundreds of visitors every day throughout the year. The lovely scenery and hot springs of Yalova are just a couple of hours away from İstanbul. Atatürk Mansion is of particular interest as an example of early 20 th century Turkish architecture in its original setting. The former kitchen building has now been demolished and a guest house for parliamentarians is being constructed in its place. The mansion garden is used as a cafe during the summer months.

Tekfur Palace

The palace was built adjacent to the land ramparts of İstanbul between Edirnekapı and Haliç. According to the researches, it was determined that the palace belonged to 13th century. It was used for various aims after the conquest of İstanbul in 1453.It was restored between the years 1955 - 1970. Tekfur Palace is the only sample that remained from the Byzantine Period.


MOSQUES AND CHURCHES

Sultanahmet Mosque, Suleymaniye Mosque, Rustem Pasa Mosque, Fatih Mosque, Eyup Mosque, Yeni Mosque, Sokullu Mehmet Pasa Mosque and Mihrimah Sultan Mosque are amongst the most famous places of interest.

There are many churches and monasteries active within the city, some of which have been turned into mosques. Studios Monastery Church, Sergios-Bakhos Church, Hagia Eirene Church, Pantakrator Monastery Church, Vefa Church (Hagios Theoderos), Nyrelaion Monastery Church, Eglise D'hagia Thekla Monastery, Eski Imaret Mosque (Pantepoptes Monastery Church), Kalenderhane Mosque (Akataleotos Monastery), Fenari Isa Mosque (Lios Monastery Church) and Fethiye Mosque (Pammakaristos Monastery Church) are the best-known ones.

Eyup Sultan Mosque: It is the first mosque constructed in Istanbul after conquer. It is constructed on 1458 by Fatih Sultan Mehmet, together with mausoleum. Today's mosque is the mosque constructed under supervision of Hüseyin Efendi with demolishing the former mosque until to its base on 1800.

Eyüp Sultan Mausoleum: Halit Bin Zeyd (Hz. Eyup) the standard bearer of the Prophet Mohammed, and accepted the Islam first while he came to Mecca, is lying in the mausoleum, constructed on 1458. Eyüp, during the seventh Arabic siege of the Istanbul, had participated to the war in the army leaded by one of the Emevi rulers Ebu Süfyan and martyred. Eyup's cemetery outside the ramparts is found by the teacher of Fatih, Akşemsettin after the conquer of Istanbul. Fatih, had constructed a mausoleum on this cemetery and a mosque near to it.